Directed by
Tay Garnett
Written by
Harry Ruskin and Niven Busch
Based on
the novel by James M Cain
Consider
that I’ve seen a good deal more film noir since I wrote my review of Double
Indemnity. Before seeing that, I thought
noir was detectives and femme fatales.
At this point, I know that noir is really any crime film, although
inevitably, it still falls into two categories: “Who killed her husband?” or “How
are they going to kill her husband?” The
Postman Always Rings Twice falls into the latter category, but as with all good
noir, it’s a fascinating scenario with plenty of twists.
Frank
Chambers (John Garfield) is a drifter who winds up at the Twin Oaks, a small California
diner. He’s persuaded by Nick Smith
(Cecil Kellaway) to take up a job there…well, Nick and the presence of his
wife, Cora (Lana Turner). And as Cora
and Frank begin a secret affair, they also start to plan to kill Nick.
In
most cases, Cora would be the femme fatale here, the one who leads the plot,
leads Frank to love her and murder Frank.
That’s not really the case here.
In fact, the love affair is more pushed away by Cora, who seems set on keeping
things as normal. The plans Frank has to
simply run away with Cora tend to be ended thanks to Cora wanting to stay at
the Twin Oaks. We’re even given a
handwave for why Cora can’t just leave Nick, as if she did, she would lose the
Twin Oaks. She’s also the one more
nervous about the murder plans, while Nick stays calm and collected. But Cora is a woman fighting in a man’s
world, and when it becomes clear that she’s losing ground, she has no choice
but to go through with the murder. She’s
not a femme fatale. She’s just someone
forced into a situation beyond her control.
The
movie’s other interesting twist is what happens in the second half. Even though the movie is over 60 years old, I’d
feel poorly about giving it away.
Suffice it to say, though, that as usual for film noir, while the murder
may succeed, what happens after the murder is doomed to failure. And the world quickly shows itself to be a
chaotic environment. Nobody can truly be
trusted. Good characters and bad
characters become indistinguishable. It’s
all here, and it’s all surrounding Frank and Cora, who become more and more
lost as they seems to realize that their affair was nothing but a fling. The tragic but inevitable ending puts the
final mark on the whole thing.
The
Postman Always Rings Twice shows how classic film noir can be, remaining
suspenseful and interesting after all these years.
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