Written by Mark Evanier
Art by Roger Langridge
IDW has done some
fantastic revivals of licenses, and with the recent Mr. Peabody and
Sherman movie, now's a great time to bring back the Jay Ward cartoons
in comic form, right? Sadly, Rocky & Bullwinkle stumbles far too
quickly and never recovers.
The four issues
here are all standalone stories, with the moose & squirrel going
against Boris & Natasha's various evil plans. The elements from
the cartoon are here in essence. There's the omnipresent narrator
and the dual “Next time” cliffhanger titles, and just a feeling
like these could've been actual stories on the show. But then the
comic ends up relying too much on references rather than actual
humor. It's funny when Bullwinkle asks a magician “How did you do
that?” after he pulls a rabbit out of his hat, it's painful when
Bullwinkle starts explaining what normally happens. It gets worse
when modern-day references start getting put in. They just don't
work in context. You've got a 60s, Cold War style plot of Americans
vs. Russian expies, and then suddenly Bullwinkle starts talking about
the Kardashians and reality shows. And finally, there's a lack of
the self-deprecation that made the series great. Hell, even the
movie got that one right. Instead, the comic almost seems to put the
show on a pedestal, and that's just not a good place for a licensed
comic to be.
There are a few
good points here. The idea of cutting from the main story for a
Dudley Do-Right “short” is perfectly in the style of the show,
and the shorts tend to be better than the main feature. Sadly, it's
nothing BUT Dudley Do-Right. No Aesop's Fables, no Fractured Fairy
Tales, just Dudley Do-Right. But I'll take what I can get.
Bullwinkle's awful puns throughout are perfectly in style, and
they're so bad that they at least put a smile on my face. The final
issue here is also fairly good, the closest to what I was hoping for
when I started reading, but it was a serious case of too little, too
late. And Langridge's art is in top form, a simplified style that
works for a similarity to the show. My main question is why he
didn't also write the comic. He did an excellent job on the Muppet
Show comic, and with how stylistically similar they are, this would
seem like the perfect fit for him.
Overall, Rocky &
Bullwinkle is just disappointing. IDW has done plenty of quality
licensed work, so to see something that uses the license so poorly
just seems out of place for them.
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