Directed by
Ken Annakin, Andrew Marton, Bernhard Wicki, Gerd Oswald and Darryl F. Zanuck
Written by
Cornelius Ryan, Romain Gary, James Jones, David Pursall and Jack Seddon
Based on
the novel by Cornelius Ryan
Saving
Private Ryan has one of the most memorable opening sequences in any movie, with
its long D-Day sequence that easily shows the horrors of war. And that pretty much defines D-Day in most
media: storming the beach. The Longest
Day takes a lot (and I mean a lot) more time to meticulously show every piece
of what happened during D-Day to, again, show the horrors of war, but also
providing a fascinating document.
There
is little focus on individual characters here.
While there are certainly plenty of stars throughout (most notably, John
Wayne), this is a true ensemble movie, showing the attack from multiple perspectives. Right from the start, we see the American and
British allies preparing for the attack, the Germans believing that the Allies
will have to delay things, and the French Resistance preparing things in
secret. The first hour of the movie is
nothing but setup for the attack, and it remains fascinating. Avoiding the trope that most American-made
war movies use, the different sides actually speak in their language, which
also means the Germans aren’t automatically portrayed as over-the-top
Nazis. Instead, they’re textured tacticians
just like the Allies, and the soldiers on both sides are shown as just soldiers
doing their jobs.
And
as mentioned, the idea was to show a “war is hell” mentality. The people who get gunned down on the way to
an objective that isn’t there, the paratroopers who get stuck in trees and
provided as an easy target, the German soldiers who plead “Bitte, bitte” to the
Allies, but get mercilessly shot as a solider wonders what “Bitter bitter”
means. But it falls into the one trap
that any anti-war movie can encounter: if you show combat, no matter how
hellish, people won’t get the message.
And indeed, for the movie’s final 2 hours, there is plenty of exciting
action. Maybe it’s because there’s no
perspective character that it becomes harder to relate to the many soldiers
getting shot. Maybe it’s just that, with
the hundreds of extras storming the beaches and towns, it’s easy to get so
swept up in the spectacle that the message can just be easily ignored. This isn’t necessarily a hit against the
movie, since this is just a common problem, and the final scene hammers the
point home well enough: a solider describing his gruesome injury to another
soldier, as he wonders who actually won.
But it’s worth remembering that plenty of people ended up recruiting
after seeing this movie.
Plenty
of great details, action, and a dark message hiding beneath means that, for The
Longest Day’s 3 hours, it moves quickly enough to keep you enthralled.
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